Volunteer and Audition

CFCT relies on volunteers. They are very important to us and we look to involve people in many ways. If you are interested in helping us, look at the info below and see where you can become involved. All volunteers will be asked to complete an intake form. You may also email us at with inquiries at Info@MyCFCT.org!


Thanks a lot! As a thank you for your work, our volunteers get to see our shows for free!

Backstage Volunteer Opportunities

  • Stagehands assist with props and set pieces to make sure the show runs smoohtly.
  • Props Coordinators source (and sometimes even create!) props that will be used throughout a production.

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  • Costume Designers create the vision for the costume elements of the production.
  • Costumers assist with coordinating our costume areas, costume construction, and backstage during shows with costume changes. 
  • Hair & Makeup Heads/Crew help bring the story to life by transforming the actors into their characters. 

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  • Scenic Deisgners bring the world of the play to life right on the stage. 
  • Scenic Construction folks are responsible for building the set and transforming the Oster Regent. 
  • Scenic Painters bring their artistic talents to the stage by painting set and prop pieces.

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  • Lighting Designers bring technical expertise to the stage and bring the lighting world of a production to life.
  • Light Board Operators run the lighting componenets of a production.
  • Sound Designers bring technical expertise to the stage and bring the aural world of a production to life.
  • Sound Engineers run the audio components of a production. 

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Front of House Volunteer Opportunities

  • Box Office assistants Selling tickets, placing orders, and assisting at Will Call
  • Concessions folks sell popcorn and beverages before each show and during intermssion.

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  • Ushers help patrons find their reserved seats, open and close curtains, and assist throughout the performance. 

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Help to set up the appetizers and drinks, serve and welcome Applaud members, cast, and crew, and help clean up at the end. Usually involves being there from 8:30-11PM. 

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Upcoming Auditions

2025-2026 Auditions:

These are the set audition dates for shows this season. More detailed information about each process will be announced here approximately four weeks before each audition.

  • Maple & Vine: Sunday, July 13 (2PM) and Wednesday, July 16 (6PM)
    Production Dates: September 12-14, Directed by Chris Hale

  • Ripcord: Monday, August 11 (6PM) and Tuesday, August 12 (6PM)
    Production Dates: October 3-12, Directed by Grace A. Schoenthal

  • A Christmas Carol: Saturday, September 20 (2PM) and Sunday, September 21 (2PM)
    Production Dates: December 5-21, Directed by Jakob Vernon Reha

  • The Cottage: Tuesday, December 2 (6PM) and Wednesday, December 3 (6PM)
    Production Dates: January 30-February 8, Directed by Gary Kroeger

  • Alice By Heart: Thursday, January 8 (6PM) and Sunday, January 11 (2PM)
    Production Dates: March 20-29, Directed by Shelby Davis

  • The Apiary: Friday, February 20 (6PM) and Saturday, February 21 (2PM)
    Production Dates: April 17-19, Directed by Kim Groninga

AUDITION DATES:

  • Sunday, July 13 at 2PM
  • Wednesday, July 16 at 6PM
  • Callbacks: Friday, July 18 at 6PM - By Invitation Only

PERFORMANCE DATES: September 12-14, 2025


DIRECTING TEAM:

  • Director and Intimacy Choreographer: Chris Hale
  • Stage Manager: Taylor Bowen

SYNOPSIS: Katha and Ryu have become allergic to their 21st-century lives. After they meet a charismatic man from a community of 1950s re-enactors, they forsake cell phones and sushi for cigarettes and Tupperware parties.


In this compulsively authentic world, Katha and Ryu are surprised by what their new neighbors - and they themselves - are willing to sacrifice for happiness. Like an episode of The Twilight Zone, Maple and Vine spins a chillingly complex web.


SCRIPTS: Scripts are available to check out with a $10 refundable deposit. Please call (319) 277-5283 for more info.


REHEARSALS:  Will start in late July. Most rehearsals begin at 6:00PM on weeknights and during the day on weekends. You’ll have the chance to fill out a conflict calendar at the auditions, so be sure to bring your schedule with you. 


PERFORMANCES: All performances will take place on the 3rd floor of the Oster Regent Theatre as part of CFCT’s new Studio Series. 


CONTENT DISCLOSURE: Maple & Vine includes scenes with explicit language, adult themes, and references that may not be deemed appropriate for all audiences.

AUDITION INSTRUCTIONS:

Acting auditions will consist of reading directly from scenes in the script. Prepared monologues are NOT required. If you are unable to audition at the designated times, a one-on-one time can be arranged.  Callbacks are scheduled for Friday, July 18 and are by invitation only.


AVAILABLE ROLES:

KATHA (F, WHITE, LATE 20s-30s) Burnt-out publishing executive who is at the end of her rope and ready to make a drastic shift in pursuit of simplicity. Married to Ryu. This role includes choreographed physical intimacy.


RYU (M, ASIAN, LATE 20s-30s) A plastic surgeon who would do anything to support his wife, even if he doesn’t understand it. Ryu is content with his modern life, until he isn’t. Married to Katha. This role includes choreographed physical intimacy.


DEAN (M, WHITE, 30s) Mysterious, yet sharp dressed man who introduces Ryu and Katha to the Society of Dynamic Obsolescence, a peculiar group of 1950’s re-enactors. Married to Ellen. This role includes choreographed physical intimacy.


ELLEN (F, WHITE, 30s) The perfect image of a 1950s housewife. She is Vice President of the Society’s Authenticity Committee. Married to Dean. Also plays Jenna, Katha’s nauseating coworker. This role includes choreographed physical intimacy.


ROGER (M, WHITE, LATE 20s-30s) Strong-willed manager of the factory floor. He seems to be holding onto a grudge, or a secret. Also plays Omar, Katha’s cutthroat coworker. This role includes choreographed physical intimacy.


CASTING NOTES: Performers of all ethnic, racial, sexual, and gender identities, abilities, and backgrounds are encouraged, needed and welcomed. Actors of all identities that are above the age of 18 are welcomed and encouraged to submit for any and all of the roles below with the understanding that there are individual characters that have specific identities specified within the script. No experience necessary, all roles are open.

Auditioning at Cedar Falls Community Theatre

Auditions take place 8 to 10 weeks ahead of the production dates. We encourage everyone to audition and do not discriminate. Everyone will receive consideration without regard to race, religion, sexual orientation, gender identity, national origin, or disability.


We'll try to take the pressure off to make the process enjoyable. Here are a few tips to help:

Prepare

Research the show and consider where you might fit in the cast. Familiarity should help you find your own voice, perspective or "take" on the role. You are welcome to rent a script ahead of time to help you prepare, just stop by during business hours.


Be Proactive About Your Schedule and Availability

Bring your calendar for the next couple of months. The director will want to know about pre-existing commitments now... not after you are cast.

Be Gracious

Not everyone can be the lead. The director has reasons for the decisions made and we ask that you respect that. You may be offered a role that you weren't planning for or be asked to help the show in other areas.


Be On Time

Please respect the production team and your fellow auditionees by showing up to audition on time. If you might have a conflict that prevents you from coming on time, reach out to the director ahead of time.

Have Fun

Because that's what theatre is all about!



Make sure you never miss an Audition call; sign up for our Newsletter, check this website, or follow Cedar Falls Community Theatre on social media!